Alte Buchbinderei Appartements, Baden-Baden, 2016.
Conference given at ISType Mono series, Istanbul, in 2014. Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. More informations on Instant here. Video link below.
Instant: from handwriting to type design, conference, ISType Mono, Istanbul, 2014.
One hour conference about four typeface projects: Instant, Almost, Triennale and Nouveau. Given at Fonts & Faces symposium #9 curated by Simon Renaud. Video recording link below.
Instant Nouveau, conference, Fonts & Faces #9, symposium, Campus Fonderie de l'Image, Paris, 2022.
Une brève histoire des lignes, Centre Pompidou-Metz, 2013.
One week workshop at Hochschule Mainz with Bachelor students. Design of a full digital alphabet with predefined geometric modules.
Learning from Albers, Hochschule Mainz, 2017.
Schriftgestaltung: zwischen Leserlichkeit und Ausdruck, Hochschule Darmstadt, 2016.
À l’Antique, Musée de l’Antiquité Rouen & Frac Normandie, Rouen, 2017.
Chercher sa recherche, Ministère de la culture, ENSAD Nancy, 2012. Published by Presses Universitaires Nancy.
Drawing Time / Le temps du dessin, Musée des Beaux-Arts & galeries Poirel, Nancy, 2010.
One week workshop with Bachelor students. Design of a digital alphabet where capitals and minuscules have a distinctive different drawing.
Two types in one, Hochschule Aachen, 2019.
Of the display typefaces Rudolf Koch designed, Neuland may have received the most use abroad. But how was it made? A 1922 letter Koch sent to Ernst Kellner provides more questions than answers, and designers have speculated for almost half a century about whether Koch really cut its punches without any preparation. Dan Reynolds’s essay reviews these textual sources, comparing them with surviving process material preserved in the Klingspor Museum and elsewhere. Written by Dan Reynolds and edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series.
Making Neuland, Dan Reynolds, Poem, Frankfurt am Main, 2023.
Decode Blockdock is a font which integrates a representative, uniformed glyph for each encoded Unicode block. Commissioned by Johannes Bergerhausen from Institut Designlabor Gutenberg/ Hochschule Mainz and used for the decodeunicode and worldswritingsystems websites (links below), and its iconic poster together with the missing scripts (ANRT research program).