À l’occasion > Rencontres nationales de la Fraap, Trinitaires & 49 Nord 6 Est Frac Lorraine Metz, 2008.
Zaunkönig Appartements, Baden-Baden, 2019.
Notizen zu Berlin, residency, text, custom typeface, Berlin, 2010-2011. Available at poem-editions.com
Visual identity and design of the Brave New World Order – Triennale Jeune Création held at Rotondes and Casino Luxembourg – Forum d'art contemporain in 2021. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. Initiated during Luxembourg European Capital of Culture 2007, the Triennale was held for the fifth time in 2021. Under the curation of Kevin Muhlen, director of the Casino Luxembourg, the exhibition was highlightning a 'Brave New World Order' as seen and represented by millennials. Design of posters, booklets, ads, invitations, outdoor shops and more. The identity integrated the custom design of a typefaces in two styles. See here for more information on the design of the catalogue. Here for more information on the signage project. And here for the website.
Brave New World Order – Triennale Jeune Création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021.
Parix, w/ Thomas Huot-Marchand, isdaT Toulouse, 2018.
Yona Friedman. La création, Centre d'art contemporain – La synagogue de Delme, 2009.
Bilingual (French, German) supplement to Pangramme: learning type catalogue, published by ESAL Metz, published at the occasion of the traveling exhibition at Biennale de design graphique Chaumont and Museum für Druckkunst Leipzig in 2017 and 2018. Texts by Andrea Tinnes, Thomas Huot-Marchand, Sébastien Morlighem and Jérôme Knebusch. 15x26 cm, 16 pages pamphlet. Free PDF downloads (links below). More information about the exhibtion here.
Pangramme: learning type design, ESAL Metz, Biennale de design graphique Chaumont, Museum für Druckkunst Leipzig, 2017-2018.
Almost is a typeface between gothic and roman. Based on in-depth research, it was designed by Jérôme Knebusch in 2012-2019 in five weights and two styles, Gothic and Roman, and completed in 2021 with respective italics. Almost Display was added to the collection in 2024, intended to headlines and shorter texts in bigger sizes. It carefully adapts its proportions to save horizontal space, and sharper terminals look more refined, especially in bolder weights. Almost Display otherwise mirrors the various expressive possibilities of Almost, and might be the preferred choice in point sizes above twenty. More information about Almost on Poem's website.
Almost Display, typeface, 2024. Published by Poem.
Design of the exhibition signage panels and outdoor visuals of the Brave New World Order – Triennale Jeune Création held at Rotondes and Casino Luxembourg – Forum d'art contemporain in 2021. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. Initiated during Luxembourg European Capital of Culture 2007, the Triennale was held for the fifth time in 2021. The identity integrated the custom design of a typefaces in two styles. See here for more information on the design of the catalogue. Here for more information on the general design. And here for the website.
Brave New World Order – Triennale Jeune Création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2021.
Artifice, Musée de l’Ardenne, Médiathèque Charleville-Mézières, 2013-2015.
Garden Party, Sébastien Gouju, Saarländische Galerie, Berlin, 2011.
One hour conference about four typeface projects: Instant, Almost, Triennale and Nouveau. Given at Fonts & Faces symposium #9 curated by Simon Renaud. Video recording link below.