Atelier Jérôme Knebusch
Mainzer Landstraße 105
60329 Frankfurt am Main
jk [at] jeromeknebusch.net
+49 69 15 61 60 23

Espèce d'ABC pour un espace à travers, École nationale supérieure d'art, Nancy, 2007.

Visual identity and design of the Brave New World Order – Triennale Jeune Création website. The young art triennale is a major event for emerging artists from Luxembourg and the Greater Region. The website showcases 40 artists and a forum, initiated during the Covid pandemic which delayed the exhibition for one year. Each artist could login and update his profile. The starting page is randomly customized, displaying each time in another order the black and white identity drawings. The identity integrated the custom design of a typefaces in two styles.

Title
Triennale Jeune Création
Date
2020–2021
Type
Visual identity, Editorial design
Client
Rotondes, Casino Luxembourg
Place
Luxembourg City
Material
Website
Website
bravenewworldorder.lu
Co-design & development
Thomas Bouville

Brave New World Order – Triennale Jeune création, Rotondes, Casino Luxembourg – Forum d'art contemporain, 2020-2021, w/ Thomas Bouville.

In 2011, students of ESAL Metz started within a workshop with Argentinian type designer Alejandro Lo Celso and their teacher Jérôme Knebusch a specific design for their school. Looking for a bookish typeface tending to modern forms, the students found interesting references in the work of Baskerville and Didot, precisely: exactly inbetween. The type grew during the following years, each time in intensive workshop sessions, to a complete type family named Messine, covering text, display, poster, italic, bold, sans and serif versions. Today, Messine is the official and exclusive typeface of the school, used all over its documents.

Title
Messine
Date
2011–2019
Type
Education, Type design
Client
École Supérieure d'Art de Lorraine
Place
Metz
Material
Workshop programme, custom typeface
Interview
Graphisme en France
Conference
Mets, Messins, Messine, Let's Type symposium, Metz 2013
Conference
Baskerville in France symposium, Amiens 2018
Award
Fine Press Book Association 2013
Award
Ampersand Exhibition 2013

Messine, workshop programme, custom typeface, w/ PampaType, ESAL Metz, 2011-2019.

klaatu barada nikto: histoires de science-fiction, ESAL Metz, 2013.

Of the display typefaces Rudolf Koch designed, Neuland may have received the most use abroad. But how was it made? A 1922 letter Koch sent to Ernst Kellner provides more questions than answers, and designers have speculated for almost half a century about whether Koch really cut its punches without any preparation. Dan Reynolds’s essay reviews these textual sources, comparing them with surviving process material preserved in the Klingspor Museum and elsewhere. Written by Dan Reynolds and edited by Alice Savoie and Jérôme Knebusch in the Poem Pamphlet series.

Title
Making Neuland
Date
2023
Type
Editorial design
Client
Poem
Place
Frankfurt am Main
Material
Pamphlet
Publisher
Poem

Making Neuland, Dan Reynolds, Poem, Frankfurt am Main, 2023.

Decode Blockdock is a font which integrates a representative, uniformed glyph for each encoded Unicode block. Commissioned by Johannes Bergerhausen from Institut Designlabor Gutenberg/ Hochschule Mainz and used for the decodeunicode and worldswritingsystems websites (links below), and its iconic poster together with the missing scripts (ANRT research program).

Title
Decode Blockdock
Date
2015–2023
Type
Type design
Client
Hochschule Mainz
Place
Mainz
Material
Custom typeface
Website
decodeunicode
Website
worldswritingsystems

Decode Blockdock, custom typeface, Hochschule Mainz, 2015-2023.

Rudolf Koch's and Fritz Kredel's remarkable Blumenbuch [the flower book] was published several times between 1929 and 1942, from pocket book editions to precious volumes and portfolios, involving many collaborators, printers and publishers like Mainzer Presse, Ernst-Ludwig-Presse in Darmstadt and Insel-Verlag, Leipzig. The essay by Jérôme Knebusch compiles a detailed chronology of the different editions and presents rare and unpublished material from the archives of the Klingspor Museum, Offenbach am Main. About the Blumenbuch is the first of the Poem Pamphlet series edited by Alice Savoie and Jérôme Knebusch.

Title
About the Blumenbuch
Date
2020
Type
Research, Editorial design
Client
Poem
Place
Frankfurt am Main
Material
Essay
Publisher
Poem

About the Blumenbuch, Poem, Frankfurt am Main, 2020.

Parix, w/ Thomas Huot-Marchand, isdaT Toulouse, 2018.

Editorial design of the Pangramme: learning type design catalogue, published by ESAL Metz, 2016. The catalogue showcases fifty unpublished student type designs, interviews held by the Design graphique & Typographie class at ESAL Metz with the jury members: Andrea Tinnes (Germany), Alejandro Lo Celso (Argentina), Matthieu Cortat (France), Hans-Jürg Hunziker (Switzerland) & Gerard Unger (Netherlands). The catalogue features also bibliography in images, essential books when learning type design, published between 1905 and 2016. Book entirely printed in single black, and distributed freely at the opening of the exhibition. 15x26 cm, 200 pages, soft-cover with dustjacket, limited to 300 copies. Free PDF download of the catalogue (link below). More information about the exhibition here.

Title
Pangramme: learning type design
Date
2016
Type
Education, Editorial design
Client
École Supérieure d'Art de Lorraine
Place
Metz
Material
Catalogue
Assistance
Francis Ramel, Rafael Ribas
Text typeface
Messine
Paper
Munken Lynx
Printing
Imbescheidt, Frankfurt am Main
Edition
École Supérieure d'Art de Lorraine

Pangramme: learning type design, ESAL Metz, 2016.

Katjas Kinderkrippe, Baden-Baden, 2016.

Poster of the Hubba Bubba collage by Jérôme Knebusch (2010, from the Biography series) greatly enlarged and screenprinted by renowned printer Lézard Graphique, Brumath (F). At the occasion of the Aux petits bonheurs poster exhibition in Crest (F), 2020. Limited edition of 10 copies, signed and numbered. The unsigned copies were pasted in the streets of Crest.

Title
Hubba Bubba
Date
2020
Type
Artworks
Client
Centre d'Art de Crest
Place
Crest
Material
Poster, collage
Limited edition
Poem
Screenprint
Lézard Graphique, Brumath

Hubba Bubba, Centre d'Art de Crest, 2020. Published by Poem.

Instant is an anachronic type family going from thin, quick handwritten letters to stable, black typographic shapes. Each of the five styles correspond to a singular design related to a specific stroke speed and weight: Vivid, Quick, Regular, Slow, Heavy. Hommage to the poet, painter and writer Henri Michaux (1899 – 1984), it questions fundamental differences between handwriting and typography, type family consistency and the relation and usage of roman, bold and cursive faces. Instant was designed by Jérôme Knebusch in 2005 as part of a personal research project at ANRT Nancy. First published in 2012 by BAT Foundry, it is today available at Poem. In 2020, Instant Variable was added to the collection.

Title
Instant Variable
Date
2020
Type
Type design, Research
Client
Poem
Place
Frankfurt am Main
Material
Retail typeface
Award
Typo­graphica 2012
Award
Best ten fonts of the year, Fontwerk 2012
Publication
Poem

Instant Variable, typeface, 2020. Published by Poem.

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